Like a cedar I was exalted in Lebanon, and like a cypress on Mount Zion. Like a palm tree I was exalted
in Gades, and like a planting of roses in Jericho. Like a beautiful olive
tree in the fields, and like a plane
tree I was exalted beside the water in the squares. Like cinnamon and fragrant balsam, I gave forth fra-
grance, and like choice myrrh I gave forth the sweetness of perfume.
This is biblical/ecclesiastical Latin, so some of the vocabulary has a more poetic sense than a strictly classical translation would suggest. The repeated
quasi (“like/as”) creates a sequence of similes.
“Like a cedar I was exalted in Lebanon.”
The cedar of Lebanon suggests exceptional height, grandeur, and nobility.
“and like a cypress on Mount Zion.”
The verb is understood from the preceding clause: “[I was exalted] like a cypress on Mount Zion.”
“Like a palm tree I was exalted in Gades.”
Gades is the ancient Latin name for Cádiz in Spain. There is a textual issue here, however: other versions of this biblical passage have Engaddi/En-Gedi rather than Gades.
“and like a planting of roses in Jericho.”
More idiomatically: “like a rose garden in Jericho.”
“Like a beautiful olive tree in the fields.”
Again, the verb is omitted but understood: “[I was] like a beautiful olive tree in the fields.”
“and like a plane tree I was exalted beside the water in the squares.”
“Like cinnamon and fragrant balsam, I gave forth fragrance.”
This is the most grammatically interesting part.
Literally, this is approximately “Like cinnamon and balsam giving fragrance, I gave forth scent.” The repetition of the fragrance idea sounds awkward in English, so “Like cinnamon and fragrant balsam, I gave forth fragrance” captures the sense better.
“and like choice myrrh I gave forth the sweetness of perfume.”
suavitas is important here. It does not primarily mean sweetness in the modern sense of sugary taste. It can refer to something pleasant, delightful, agreeable, or sweet to the senses. Thus suavitatem odoris is literally “the pleasantness/sweetness of fragrance,” but poetically “the sweetness of perfume.”
The whole passage therefore moves from images of height and stateliness—cedar, cypress, palm, plane tree—to beauty and luxuriant growth—roses and olive—and finally to scent and sensory richness—cinnamon, balsam, and myrrh.